POTSH Music Drops Six Singles Simultaneously — The Full Roster, Introduced in One Night
Six artists. Six genres. One human origin. On May 29, 2026, POTSH Music opened every world at once.
Six artists. Six genres. One human origin. On May 29, 2026, POTSH Music opened every world at once.
On May 29, 2026, POTSH Music released six singles at once — one for each artist on the roster, across six distinct genres, from one label, on one night. This was not a stagger. It was not a strategy to game an algorithm. It was a statement: the full scope of this label exists, it is finished, and it is out now.
POTSH Music is built around a single origin — the life, perspective, and creative obsessions of founder and Executive Creative Director Nick Boyd. Every artist on the roster is a different lens on that origin. Gospel. K-Pop. R&B. Dance. Country. None of them are borrowed genres. Each one is a world that actually lived in the person behind it. Tonight, all six worlds go public simultaneously.
The six singles are also six of the thirteen tracks on Sainte Nick's debut album, Music Is My Religion, due Summer 2026. What releases today is not a preview. These are finished records. The album will be the full origin story. But the introduction starts here.
Gospel · Community Sound
There is a version of faith that does not ask you to be anything other than exactly what you are. That is the world of POTSH Gospel Choir. "Nick of Time" opens with the kind of confidence that does not need to announce itself — a choir rooted in tradition but completely unafraid of what comes next. It is community music in the truest sense: voices made to exist together, a sound that knows it belongs.
For a label built on the idea that music is a form of testimony, there was no more honest place to begin the night. "Nick of Time" is the foundation note — the reminder that everything else on this list, in every genre, came from a place that believed something.
K-Pop
GIRL.CODE is a K-Pop world built around the proposition that women who know exactly who they are are the most interesting people in any room. "Imagination" is their entry point — production that is clean, bright, and precisely built, wrapped around a vocal performance that makes the whole thing feel effortless. This is not K-Pop as a genre exercise. It is K-Pop as a genuine creative language, deployed with intention.
GIRL.CODE has been one of the most developed worlds in the POTSH universe since the label launched. "Imagination" is the introduction they deserve — a single that sounds like a debut and an arrival at the same time.
R&B · Soul · Throwback in 4K
Riley Gavins occupies a specific and earned space: R&B that sounds like it was made at the intersection of memory and now. "I'll Take It From Here" lands exactly where the name promises — a vocal-forward record that has the warmth of something classic and the clarity of something made in 2026. The production does not overreach. The performance is the point.
This is the POTSH "Throwback in 4K" aesthetic made explicit — the recognition that the sounds that shaped a generation still work, still move people, and still deserve to be made with the same care they always did. Riley Gavins carries that lineage without being weighed down by it.
Dance · Electronic · Flagship
Sainte Nick feat. Riley Gavins
"Don't Say It" is the flagship single — the one that carries the label's name on its back and does not blink. Sainte Nick is the Human-Led AI DJ/Producer and Generative Set Artist who sits at the center of the POTSH universe. Every other artist on this roster exists within the world Sainte Nick built. This record, featuring Riley Gavins, is where that architecture becomes audible: dance production with real emotional weight, an electronic framework built around a vocal that has something to say.
The collaboration between Sainte Nick and Riley Gavins is not incidental. It is the sound of the label talking to itself — two distinct worlds finding the place where they overlap, and making that overlap into a record.
K-Pop · Debut
"Rather Be Us" is BOY.CODE's debut — and it arrives with the certainty of a group that has known exactly what they wanted to say from the beginning. BOY.CODE is the counterpart to GIRL.CODE in the POTSH K-Pop universe, built around smooth vocal architecture, layered harmonies, and the kind of production that rewards close listening. "Rather Be Us" establishes the emotional register immediately: this is a group that leads with feeling, not formula.
The debut single has one job — make the listener want to know what comes next. BOY.CODE does it without making it look like work.
Country · Americana
Peter Chase Jr. is the Country and Americana voice in the POTSH universe — a world built around the specific emotional territory that only this genre can occupy: the space between wanting something and letting it go. "Let It Be Me" is a record that knows what it is. It is not Country as irony or nostalgia. It is Country as a genuine place to put feelings that do not fit anywhere else.
For a label that spans Gospel to K-Pop to Dance, Peter Chase Jr. is proof that the origin behind all of it is wide enough to hold every genre it touches with full conviction. This is not a genre check on a roster spreadsheet. It is a world that earned its place.
The six singles released tonight are six of the thirteen tracks on Sainte Nick's debut album, Music Is My Religion, arriving Summer 2026. The album is not a compilation of genre experiments. It is the full origin story of this label — the document that explains why all of these worlds exist, and why they all come from one person. Each track is a chapter. Each genre is a room in the same house.
The six singles are the introduction. The album is the proof. Stream all six now — follow Sainte Nick and POTSH Music news for the full album drop Summer 2026.
POTSH Music is human-led, AI-assisted, and manually finished. Every record on this list was built that way — with a human at the center of every decision, technology used as a tool rather than a replacement, and enough manual craft applied at the end to make the intention land. The work is the proof.
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