SYNC LICENSING · ONE-STOP · AI-TRANSPARENT
POTSH Music is an independent label and IP studio. Every master and publishing right sits under one roof — no third-party clearances, no chasing co-writers. Seven artist worlds across cinematic pop, K-pop, R&B, country-pop, electronic, ambient, focus, and trailer-ready music.
Supervisor / agency? Reply window: ≤ 24 business hours · Stems & instrumentals on request · Cue sheets & metadata ready.
USE CASES BY VERTICAL
POTSH Music is an IP studio, not a library. Every artist world was built with a specific media environment in mind. Supervisors don't get a flood of 10,000 tracks — they get a curated shortlist matched to their brief, rights-confirmed before the conversation starts.
FILM
SAINTE NICK's cinematic pop moves between euphoria and collapse — built for scene-turning moments in drama and documentary alike. Riley Gavins' R&B sits in quiet narrative spaces. FLONYX runs under dialogue without competing with it. The catalog was designed to support picture, not announce itself over it.
TELEVISION
GIRL.CODE and BOY.CODE are native to the reality and lifestyle formats that dominate streaming. K-pop is a proven format for international co-productions. SAINTE NICK handles the premium scripted window — prestige drama, streaming event series. Brand placement windows ship with full one-stop documentation, no additional clearance pass required.
ADVERTISING
GIRL.CODE and BOY.CODE translate directly to beauty, fashion, tech, and youth-market campaigns. FLONYX fits wellness, fintech, and productivity verticals. SAINTE NICK runs through automotive and luxury. The catalog is engineered for 15s, 30s, and 60s cut-downs — supervisors can request edits to picture at brief stage.
TRAILERS
POTSH Gospel Choir's choral catalog was built for this format. Stacked voices, dynamic arc, no lyrical content that competes with on-screen copy. The catalog is trailer-ready out of the box — ISRC, stems, and instrumental versions available. If you're scoring a promo and need choir-forward orchestral impact, this is the shortlist you start with.
GAMING
FLONYX's 31-track instrumental catalog was engineered for sustained play sessions. Long-form ambient, focus states, loopable structures. The catalog does not decay in the ear over repeated listens — which is the primary failure mode for gaming sync. Score integration and adaptive audio formats available on request.
DIGITAL & SOCIAL
K-pop, R&B, and country are structurally underserved in UGC licensing. Most available catalog is either over-licensed or genre-narrow. POTSH's roster covers GIRL.CODE, BOY.CODE, Riley Gavins, and Peter Chase Jr. — each with clean rights and available for creator licensing, brand UGC, and platform-native campaigns.
THE CLEARANCE ADVANTAGE
The biggest cost in sync licensing is not the fee. It is the time. Co-writers to locate. Publishers to negotiate. Labels who don't control the master. Two weeks to clear a 30-second spot. POTSH was built to eliminate that friction at the root.
POTSH controls master and publishing on all original works. No third-party labels. No co-writers to chase. No publisher splits that require a separate conversation. When a supervisor comes to us with a brief, they get one point of contact, one agreement, and one reply window.
AI-assisted creation is disclosed upfront — not buried in footnotes, not revealed after placement. Supervisors know what they are licensing before the conversation moves forward. That is not a liability. That is the only honest posture in 2026, and it protects the placement from post-license challenges.
Documentation ships with every cleared track:
Brief us at sync@potsh.com. Reply window: 24 business hours. Shortlist and rights position in the same response.
THE AI QUESTION — ANSWERED
AI is in the process, not the product. Every POTSH track is human-directed and manually finished by Nick Boyd — a 20-year creative director with global brand experience at Nike, Target, and Gap Inc. AI handles the instrument. Nick handles everything else: arrangement, identity, direction, quality control, and the final call on what ships. That is the same relationship a producer has with a synthesizer, a session musician, or a DAW. The tool is new. The authorship is not.
Full provenance documentation is available for every original work — AI tool disclosure, human contribution summary, creation date, and platform-rights statement. Major DSPs including Apple Music and Spotify already operate within AI transparency frameworks. POTSH's documentation is built to satisfy those frameworks now, not retroactively. If a network, studio, or E&O provider has specific disclosure requirements, we have the paperwork ready. See /ai-transparency-rights for the full policy.
"For original works submitted for sync, POTSH does not knowingly use uncleared samples, protected third-party lyrics, unauthorized voice likenesses, or infringing third-party material. Covers, remixes, interpolations, and third-party materials are separately identified and cleared where required."
Each link opens the artist world. Use these for taste-matching to a brief.
Tell us what you're scoring. We reply inside 24 business hours with a curated shortlist and rights position.
By submitting, you confirm the brief does not contain third-party confidential material. Submissions governed by the POTSH Submissions Policy and AI Transparency & Rights.
One-stop licensing means a single entity controls both the master recording rights and the publishing rights for a track. There is no need to chase multiple rights holders. POTSH Music operates one-stop for all original catalog — one conversation, one agreement, one clearance.
Seven artist worlds: cinematic pop (SAINTE NICK), K-pop (GIRL.CODE and BOY.CODE), country-pop (Riley Gavins), instrumental focus and ambient (FLONYX), trailer-ready gospel and choral (POTSH Gospel Choir), and R&B (Peter Chase Jr.). Use the catalog preview above to match a world to your brief.
All sync briefs receive a curated shortlist and rights position within 24 business hours. Submit via the form above or email sync@potsh.com directly.
Yes — stems, instrumentals, clean edits, and alternate mixes are available on request for bona fide briefs. Include your needs in the brief form above.
POTSH Music is human-led and AI-assisted. Every track is directed and manually finished by Nick Boyd (operating as SAINTE NICK). AI is part of the production process — not the creative decision-maker. AI-assisted creation is disclosed on all sync submissions. See the AI Transparency & Rights page for the full policy.
Available on request: master ownership statement, publishing control statement, ISRC/UPC metadata, AI-assisted creation disclosure, human contribution summary, platform-rights provenance, and clearance statement. All documentation prepared for efficient placement.